had an Anton Corbijn photograph of Metallica dressed as mechanics. Metallica's own music was presented by the opening band, Battery, a Metallica tribute band. Embracing the cover song concept, the band's setlist consisted entirely of cover songs from throughout their career. Metallica played five shows in November 1998 to support the album's release. Only one of the eleven songs in the "New Recordings '98" disk was not done in the three-week sessions, a version of Lynyrd Skynyrd's " Tuesday's Gone" the band recorded for a radio broadcast along with friends such as Les Claypool, John Popper and Gary Rossington. Garage Days Re-Revisited, the band would "put them all in a nice little packaging for easy listening" along with the newly recorded cover versions, chosen through a group decision. Given that the band had recorded many covers that were spread across various releases, such as B-sides of their singles and the 1987 EP The $5.98 E.P. As Lars Ulrich explained, the band wanted to do something different after "three pretty serious albums in a row, starting with the Black album and then Load and ReLoad", and the process would be easier by working with covers, especially as the band had a tradition of taking other people's songs and "turn them into something very Metallica, different from what the original artist did". The day after Metallica finished the North American leg of the Poor Re-Touring Me Tour in San Diego's Coors Amphitheatre, they hit the studio to start recording a new album of cover versions. The album features songs by artists that have influenced Metallica, including many bands from the new wave of British heavy metal movement, hardcore punk bands and popular songs. The album's graphical cover draws heavily from the 1987 EP. The title is a combination of Garage Days Revisited and Metallica's song "Damage, Inc.", from Master of Puppets. Garage Days Re-Revisited, which had gone out of print since its original release in 1987. It includes cover songs, B-side covers, and The $5.98 E.P. It was released on November 24, 1998, through Elektra Records. is a compilation album of cover songs by American heavy metal band Metallica. Otherwise, good for Metallica for intuiting that Nick Cave’s “Loverman” sits somewhere on the perimeter of metal (that baritone, that fall-of-man fixation), as does Bob Seger’s “Turn the Page” (that hair, that epic nihilistic gloom on the subject of tour-bus depression).Garage Inc. It was the fast, minimalist, needling relay-riffing of those bands, as the liner notes from Rolling Stone senior editor David Fricke explain, that were the primary influence on Metallica. Black Sabbath’s “Sabbra Cadabra,” OK, but nearly a third of the album is an homage to what was once nerdily called NWOBHM (new wave of British heavy metal) – bands like Sweet Savage and Dlamond Head. Those tracks, as well as all of 1987’s Garage Days Re-Revisited EP, scattered B sides and eleven new covers make up the band’s new double-disc set, Garage Inc. After a contrived disaster took place, the band scaled back to reality, huddled around some small amps and started the serious part of the show: the covers.Ī few songs released in 1984 (“Am I Evil?,” “Blitzkrieg”) first proclaimed Metallica’s goofy fandom for obscure British metal bands.
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Their last tour was a metaphor for rock bloatedness that featured a collapsing light rig, flaming propmen on zip wires and a fake EMS brigade. It makes the distance between musician and fan too negligible metal heroes are supposed to be lords of the realm beyond good and evil, not librarian-minded record collectors. Interpreting other bands’ songs isn’t part of the rhetoric of heavy metal.
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